Friday, November 10, 2017

Memories Of Glass

The Old Days:

Sometime around 1952, the year I was born, Heddon introduced a line of fiberglass/resin flyrods. These were a beautiful tobacco color as organic as a willow branch, & had the old silk line designations printed on them. As there was no metric for glass rod actions at the time, Heddon attempted to match the actions of the fine bamboo ‘Heddon Pal’ rods they were known for, & succeeded admirably.    

We lived on Tucker Lake in 1960, the year fatty boom-boom Danny Cody, the mean kid down the lane, broke the old bamboo flyrod my grandfather had given me. Danny had a new push-button outfit & we were fishing (nightcrawlers), & he was feeling pretty smug thinking he owned the superior rig, & when I caught a seventeen inch brown he sulked, convinced the trout was actually meant for him & that I’d somehow usurped his chance at it. Then when I capped the brownie with a nice brookie Danny, still fish-less, broke, grabbed the rod out of my hand & busted it over his knee. He laughed. I was eight & Danny was ten & better than a head taller & with sixty pounds on me, easy. Heartbroken, furious, I rushed him – & that got me a pounding to go with the broken rod.    

As a replacement, my dad bought me a glass casting rod & Zebco push-button reel. The outfit was cool, but I was a flyrodder, & my grandfather stood in appreciation & full support of that fact, & came through with a new 8’ 6wt Shakespeare Wonderod glass flyrod. The Wonderod was white with red wraps, the blank taped in a unique spiral pattern. Though I liked the casting outfit okay – like for tying to the family dock overnight baited with small bluegills meant to catch the big bullhead catfish I occasionally sold to the ancient Goose Lady – I discovered the flyrod a better tool for delivering wee poppers to smallmouth bass, which I considered ultimate fun.  

Thus equipped, I was feeling well-turned-out & dangerous when we moved to Millbury the following year, where the Wonderod earned me the distinction of being the only kid in 4th grade busted three times in one month for ditching school to go fishing. I was unstoppable, having discovered the smallies spawning in a back cove of Dorothy Pond, & the poppers turning the trick. The Millbury cop who’d already caught me twice was so pissed the third time he purposely ran over my bike intending to put me out of business once & for all. He also confiscated the Wonderod, then, red-faced & grinning like a crazy man, broke it twice over his knee while I watched in horror. Probably a blessing in disguise because my dad (who I suspect was secretly proud) was so angry the cop had destroyed my bike & rod that he let me go unpunished, pretty much, & even went as far as smoothing things over with the school authorities, somehow.

My grandfather, ever reliable, came through with a replacement, the sweet caramel colored, 8’ 6wt Heddon Pal glass that made the move to California & lived up to its name through ten seasons of hard use until meeting its demise somewhere near Eugene, Oregon, when it blew out of the back of a badly loaded pickup speeding north on I-5 on a day of high winds, strapped to my backpack frame, & shattered on the road (along with the pack).

After the road mishap, old enough to work & able to afford them (barely), I owned several Fenwick glass rods, & loved them all. But the crowning glory of my strictly glass career was the beautiful, deep-amber Cortland Leon Chandler S-glass, 9’ 6wt; a feather-light dream & long-caster that upped my game considerably. By then graphite was coming in &, young & stupid, I felt I needed to ‘upgrade’ to graphite. Couldn’t afford a new one so I traded the Leon Chandler toward a clubby first-run Fenwick graphite that I never got used to. I still suffer an irritating twinge whenever recalling that sorry trade.   

A Couple Years Ago:

Some might remember I posted something about finding a vintage1952, 8’ Heddon Pal Thorobred glass rod at a garage sale a couple years ago. Though the wraps & guides were rotted beyond use, the blank, reel-seat & grip were still very good. I finally got around to re-wrapping it, mounted my old high school Medalist to it, & took it up to the river for trials. Though rated for a D- HDH silk line, I found it throws an AFTMA 5 or 6wt equally well. And maybe it’s just me, but I think this is the best casting rod of its class I’ve ever casted. Seriously.


While re-wrapping the old Heddon, I went ahead & replaced the guides & wraps on the Russ Peak 7'6" 5wt pictured at left. Russ Peak was known as the 'Stradivarius of Glass', & a day on the water casting this sweetie leaves you with no doubt why.  

Has there actually been real improvement in the castability of trout rods since 1952? Well, some might argue: no, not really.

This Past Summer:

We got back to glass in earnest this past summer. My friend Jeff Cottrell is an ambassador for Red Truck, & they sent him a 7’6”, 4wt glass to try out. Caramel colored & nicely appointed with quality components, & very light weight, it came equipped with a matching, click-pawl, Red Truck Diesel reel. It is a classic glass outfit with timeless good looks. Jeff lined it with a WF 4wt Cortland Trout Boss floating line. We took it fishing during the Drake hatch &, to my surprise, after slowing down enough to catch its load rhythm, Jeff was able to throw distance equal to the 9’ graphite he’d been fishing, & looked a hell of a lot more graceful doing it. Once into the groove Jeff smiled the smile of serene satisfaction, & I was reminded that the slow yoga of casting glass & the serenity it engenders was once an integral aspect of our game. Quite different than the hyper-rhythm, first-strike intensity of speed fast-action graphite brought to casting. Every time Jeff hooked a trout & it would run, we’d whoop to the sound of the reel’s screaming clicker. 

Jeff Cottrell with UC redband & Red Truck glass 4wt
 Don’t get me wrong, I’m not trying to imply glass is better than graphite. I should parse this by saying graphite definitely has its place, particularly in big game rods & rods over, say, 9’ in length. Graphite really comes into its own in longer rods. I’ve not met a glass Spey rod that I’d trade my graphites for. But does graphite outperform glass in trout-weight rods in lengths most commonly used? As regards the average caster, I’d have to say no. Guiding, the problem I see most often is anglers unable to cast 30 feet. As it takes 30 feet of line beyond the rod tip to even load the rod, you’d think being able to lay out 30 feet is a given. But no. Variables of excited expectations, fatigue, wind, boat movement, bad casting habits, you name it, conspire to somehow truncate that minimal 30-foot distance into a dreadful heap on the too-nearby water. Guy has a $700 rod, only gets out six times a year (or less), & has a hard time throwing 30 feet of line. My solution? The old refurbished Heddon Pal, which I began carrying as an extra rod. When I see somebody having trouble I have them try the Pal, & in most cases their casting distance improves immediately. It’s not that this rod eliminates bad habits, but that the load-holding glass is more forgiving of them. And once the client is slowed a bit, I’m better able to observe the cast & help with the problem(s).

I’d just started carrying the old Heddon when John Gierach came to fish with me this past summer, & hadn’t had the chance to catch a fish on it yet. If you’ve read his books but never fished with him I can assure you Gierach really is That Guy. He is light, confident & fun to be with, as accomplished an angler as he is a writer (he gets a lot of practice). We were doing pretty good on the UC redbands until just about dark when John’s dry & dropper rig became hopelessly tangled. Quickly running out of light & with not much time left before we needed to get off the water, rather than re-tie a new rig I handed him the old Heddon set up with an emerger version of the Black Quill Drake we were fishing over. Second cast, John put the emerger right on the seam, gathered line just fast enough to keep contact with the fly while it swung, & wham-O, the old Pal awoke to a new life in the hands of John Gierach, bent into a wild, 20” UC rainbow gone ballistic. I netted the trout in near dark & we admired it for a moment while praising the 65 year old glass rod, both agreeing it possessed great mojo.

Cortland Trout Boss
A Good Trout Line:

Got to try out quite a few trout lines through the past season & feel compelled to mention Cortland’s Trout Boss line as the best of show for delivering dry & soft-hackle flies. This is the line Jeff Cottrell & I settled on for lining our glass rods, though it performs equally well with graphite. The WF Trout Boss casts like a good weight-forward, yet presents with the delicacy of a double-taper. The Trout Boss floats dutifully through long sessions, while the low-memory running line remains supple & tangle-free. Simply, a good, no-bullshit, all-around trout line at any distance – the Cortland Trout Boss is true to its name. I think most soft-hacklers would really like this line. And a bonus: it comes nested in a handsome, utilitarian tin.                         

Sunday, September 24, 2017

A Few October Caddis

Hook: #6 TMC 200R; Thread: rust-brown UNI 8/0; Hackle: rust-brown
brahma hen; Body: ginger antron with a pinch of orange trilobal;
Wing: gadwall, dyed with orange marker, wound as a collar, fibers on top
painted with a black marker.
    

Gary LaFontaine held the opinion that October Caddis (Dicosmocus) is the most important “big fish insect” of the West, & I agree, insofar as it reflects my own experience. For what that’s worth. I’ve been fortunate to have lived for a long time beside a river where that is certainly a truth.     


Not only does the big fall sedge bring up some of the best trout of the year, its emergence occurs during my favorite time of year, September & October, in Northeast Washington; its russet coloration true to autumn’s palette & begging simulation. It's size, coloration & habits seem to leave October Caddis wide open to interpretation.

Hook: #6 TMC 200R; Thread: rust-brown UNI 8/0; Body: ginger antron
with a pinch of orange trilobal; Wing: turkey tail fibers, rolled; Hackle:
rust-brown brahma hen fronted with guinea hen.

Though the cased larvae might be an important food source to trout in some streams, particularly streams with finer gravels, they aren’t generally available to trout in streams with heavy rubble bottoms that afford larvae sheltering crevices.  On my home water, with a bottom mostly composed of rounded, skull-sized glacial till, it’s the uncased pupa & winged adult stages that get the important play. 


Dropper Pupa - Hook: #4 Gamakatsu octopus; Thread: rust-brown UNI 8/0;
Antennae: turkey tail fibers; Hackle: tannish-orange brahma hen;
Rib: gold wire; Body: ginger antron with pinch of orange trilobal


Of its many desirable attributes, the giant fall sedge lends itself to the spectrum of presentations – as a dropper fished under a dryfly or bobber, as a dryfly, or a wetfly, either winged or wingless. Designs meant to be swung or skated are often effective when OC are present, providing a good opportunity for trout spey.            

Wednesday, August 9, 2017

Low Light Caddis

    It’s been a fairly apocalyptic season. 

On the personal side, a hectic guiding schedule has kept me rowing & mostly fishing vicariously.  

In the broader picture, things started with a nearly record spate that put a damper on spring & early summer mayfly hatches. Then, beginning in June, the air temps soared to 100 degrees & have hovered in that range ever since. B.C. began to burn in June &, as of now, August, continues to burn. The smoke is barely tolerable along the U.S./Canada border & if it gets any worse we might be advised to evacuate. 

I’m seriously considering evacuating to GreenlandArctic char.  No trees to catch fire or foul your backcast.

Taking the month of August off. Finally getting to fish & that’s making me happy, even if the only productive time is generally only for that hour right up against dark. And by “productive” I don’t mean wide-open. I mean productive compared to nothing. One or two trout per night. Maybe a handful on a particularly good night. 

There’s not a lot showing up top, just a quick shooter of risers feeding on the short spritzes of caddis hatches beginning just before dark. Satisfying fishing just the same. The wild redband are summer-schooled & extra canny, presenting a difficult challenge calling for a 12’ leader, 3lb test tippet & a perfectly presented sedge emerger. This has given me the opportunity to play with some patterns that might be reliable in low light.

I’m fairly certain that size & profile are necessary constants, but is matching the natural’s coloration the best approach in low light? Well, to answer my own question (like a crazy man): yes & no. According to my own experience & observations, too fanciful or gaudy is not an entirely reliable approach, & neither is too drab. There’s a balance. And that seems to lie with designs that simulate the natural’s coloration in an exaggerated manner & in a way that incorporates light, or, more precisely, relying on material choices that gather & reflect light. Not only does such a design work better in low light, but also during heavy sedge hatches when the imitation must compete with a bazillion naturals. Oftentimes the pattern, I think, must stand out, yet in a way that is enticing without being overly intrusive. That’s where the creative fun arises to challenge the designer.

Here’s one that is turning the trick on some well-educated trout, late evenings:

Low Light Sedge

Hook: #12 Daiichi 1150

Thread: Camel UNI 8/0

Hackle: brahma hen, stripped on one side, 2 turns

Body: 4 strands of pearl midge flash, twisted to a rope – Over-body: Hareline Ice Dub UV Shrimp Pink (this stuff is enticingly ambiguous & doesn’t look actually pink but rather a tannish-salmon with lots of green, blue, & rootbeer highlights, for lack of a better description) tied in as a collar –  Thorax: pine squirrel dubbing mixed with a bit of mahogany or ginger antron

Topping: 2 gadwall flank fibers tied in prior to winding the hackle ~ & finish.  

Monday, March 20, 2017

Some Green Drake Variations

Green Drake Emerger/Cripple
Hook: #10 TMC 200R
Thread: yellow Pearsall's
Hackle: olive grizzly
Tail: barred waterfowl flank dyed with yellow highlighter pen
Body: olive hare's mask dubbed on a loop of the tying silk
Half-wing: barred waterfowl flank dyed with yellow highlighter
     Green Drake is the first big mayfly of the year to show. They are sporadic, initially. Maybe we’ll spot one drifting like a battle cruiser among the bum-boats of small Grannom riding the flow. Or perhaps we catch sight of one paddling through the air like a B-52 among the kamikaze sedges.


The first Green Drake of the season we see is always an exciting event because we know when there’s one, there’s more to follow. Once the tap is open, trout know it. The fish were probably onto them even before we saw that one.  We think: Oh Boy. It’s on!

Rene Harrop's Drake
Hook: #10 TMC 200R
Thread: black
Hackle: olive grizzly hen fronted with black hen
Tail: barred lemon wood duck
Body: olive turkey biot & olive dubbed thorax touched with gray rabbit 
The scene might play out on any of the rivers & streams of the West Slope where the line-up of Drake species occur in their respective hatch seasons, late spring through summer.  And for swingers of flies this is fortunate, as trout enjoy & appreciate soft-hackled imitations of the big mayflies, drifted & swung – a fact observed by Rene Harrop, whose killing Green Drake pattern has become a standard for meeting the famed Henry’s Fork hatch.   

Hare's Lug & Plover Drake
Hook: #10 TMC 200R
Thread: yellow Pearsalls or UNI 8/0
Hackle: golden plover (or olive grizzly)
Tail: bronze waterfowl flank
Body: olive hare's mask dubbed on a loop of the tying silk, gray rabbit
touched over the thorax
On another fork of the Columbia Drainage, several hundred miles from the Henry’s Fork, before I’d heard of Harrop’s Drake, I was mining a similar vein, & I smiled when I first saw the patt, because I recognized Harrop’s dressing was not dictated by fancy, but straight from the authentic mojo of experience & close observation. It is built on an ancient frame, tested & true, incorporating the sound principles & elements of the soft-hackle tradition. It is a workhorse bait.

These designs hunt the top of the water column, where they may be taken as a pre-emerger, cripple, or drowned adult. Without a lot of bulk to buoy & sail the fly, they bust the surface tension immediately, then hover & track well; the flowing soft hackle coalescing the illusion of (moving) body mass & nuance of coloration.        

Monday, March 13, 2017

Busting the Surface Film

Rene Harrop's Green Drake ~ tied by Steven Bird
     There is no rig simpler & more satisfying to fish than a floating line, leader, & a single fly. One might say deceptively simple, as it requires some skill to bring out the rig’s great versatility to best advantage. Skill only comes with practice, time on the water & observation. But there are some practical tricks of preparation that don’t take much skill or practice & yield immediate benefits.            

During pre-hatches, hatches, spinner falls, & whenever I can get away with it, I prefer to drift & swing wetflies with a floating line, sans lead on the leader or bead/jighead on the fly. Fishing water three feet deep & less, the depth most of us fish most of the time on medium & small streams, or on those occasions I want to fish the top three feet of the water column, here’s a few things I do to get the fly down without resorting to jigging. And nothing against jigging, but in the season of wee flies I prefer my fly to present in a more ephemeral manner than dangling bead-headed under a bobber or hippity-hopping along the bottom. Trout want the fly behaving like an emerging nymph or a spent adult adrift in the flow, & that makes for fine sport, indulging the angler’s senses on multi-levels. The bobber & jig, though having its place, tends to usurp the eye & shut out both the finer senses & the broader view.

I want the leader & fly to penetrate the surface tension immediately. Ideally, the fly should hover on the horizontal while it descends. Whatever your opinion of fluorocarbon leaders, they are an indispensable aid in accomplishing quick surface penetration. For leaders to 9’, I use a 6’ tapered fluorocarbon leader butt tipped with a #2 metal rigging ring. For leaders over 9’ I go to a 7’ butt. The ring creates a semi-permanent leader, without the need to cut it back each time a new tippet is spliced on. Simply tie fresh tippet to the ring. (The knot tag can be left long to add a dropper, or a separate dropper can be tied to the ring to create a clean, two-fly cast). UC guide CJ Emerson introduced me to Seaguar Red Label fluoro, & I like it a lot – the best I’ve tried.

Here’s an essential step: Before I fish I take a moment to straighten my leader by pulling & stretching along its length. A couple passes down & it should hang straight & limp – if it doesn’t, switch brands. After straightening the leader I apply a sinking agent like Gerke’s Xink (& reapply about once an hour while fishing). Straightening the leader is a simple ritual that gives a definite edge – it will present, sink, & fish better.

There’s a lot to be learned from the older wetfly designs. In the Clyde & Tummel style flies of Scotland we see how the hook itself serves both as a keel to keep the fly hovering & tracking right, & a weight to get the fly subsurface quickly. These are tied both winged & wingless, but their defining characteristic is the sparse bodies, often only silk thread, & only covering the front half of the hook shank – in the Tummel style, only the front one-third of the hook. Though not as radical, we see sparse bodies on the English North country flies as well, the bodies generally ending at the hook point. Proponents of all three styles prescribe only a single turn of hackle. Bulk of materials on the hook serves to buoy & sail the fly. The more bulk: the more keel required to stabilize the fly & keep it tracking upright (particularly winged designs), & the more iron required to overcome the material’s neutral buoyancy & sink it. Generally, there is nothing to gain in tying down onto the hook bend thinking the hook needs to be disguised as much as possible in order to fool a fish. Fish don’t think of or see hooks the same way we do. Fond of the saying regarding hooks, Yorkshiremen will tell you: “The trout sees what it wants to see.”             
       
Many Yorkshire & Scottish purists refrain from tying on hooks smaller than #15. If the insect they seek to imitate is smaller than that, the smaller size is tied on a #15 hook. This leaves plenty of iron to sink the fly, & hold larger fish if need be. I’ve found this to be a very useful concept, particularly where large trout are encountered feeding on tiny insects. 
  
Think of your hook as a sinker. And of course the hook may be weighted to sink, & that is a very good option if you need to get down deeper than 3’.  But for fishing from the surface, down to 3’, I’ve found it best to apply lead conservatively – a straight piece the length of the fly’s thorax, bound beneath the hook shank rather than wound, will give surface penetration without sinking the fly unnaturally quick.

In the season of wee flies trout are usually looking up. There’s always something hatching & something dying, & a lot of bugs accumulated in the wash & on the slicks. At such times there’s a lot going on at the top of the water column, or maybe right on the surface. If that’s the case, I’ll forego dressing the leader with sink compound, the fluoro leader alone will crack through the surface tension.

Design, construction, & hook choice will determine how fast the fly sinks. I generally tie nymphs & emergers on one size larger hook than the natural requires, thus weighting the fly. If I mean the fly to fish as a spent or drowned adult I want it to fish closer to the surface, so tie on a light dryfly hook of appropriate size for the natural, & fill the hook to mid-point of the barb, in the standard fashion.

Again, bulk & excess hackle will buoy the fly. Keep hackle to no more than two turns, & bodies sparse. If you are tying soft-hackle flies, remember, the hackle flowing back over the body contributes to create the illusion of mass. If you are certain the body really does need more mass, dub spare & loose in a dubbing loop & pick out the dubbing to create a fat body without a lot of bulk – or consider a herl body, which will also give the illusion of mass, without real bulk.            


Sunday, March 5, 2017

The Red Truck 5110-4 ‘Trout’ Switch Rod

Red Truck 5110-4 'Trout Switch'.
     My home water, the upper Columbia River, is big water holding large trout, which makes it the ideal set-up for a two-handed trout rod. If there be a ‘Mecca’ of two-handed trouting in the lower 48, the UC is it. 

Living & guiding here I have the opportunity to try out quite a few of the micro-spey rods available designed for trout fishing, & am lately impressed with the Red Truck, 11’, 5110-4 5-weight ‘Trout Switch’. Of the two-handed rods I’ve casted in this class, I’d have to give Red Truck the nod for being the most trouty, as well as the most versatile – so deserving a short review. I know most SHJ readers love to swing wetflies & streamers, & some might be considering a two-hander for that purpose. This is a good one, at a good price. 

Red Truck 5110-4 ~ single-hand mode.
    For its class, the Red Truck 5110-4 possesses a fairly wide usable grain window due to its 11’ length, coupled with a semi-parabolic, progressive action. I would call this rod a medium-fast action, though it holds a load well, which makes it forgiving and friendly to those with a slower casting style. It has a light, delicate ‘feel’ suitable to a trout rod. I think the action would satisfy most neoclassicists. Generally, switch rods longer than 10’ tend to be tiresome fished as single-handers, but I found that not to be so with the Red Truck. The rod’s light weight combined with a conventional, full-wells foregrip & the ability to remove the spey rear grip, makes this rod able to convert to a pleasing single-hand mode – good for fishing big dryflies (mice, drakes, stoneflies, October caddis) on big western rivers. Though it functions supremely well as a two-hander, it converts to a fine single-hander, not a cumbersome compromise.    

I am impressed with the rod’s build & performance, but I have one nitpick: the ambiguous 5-weight designation is confusing, as the rod is neither an AFTMA 5wt or a #5 Spey. (I wish rod manufacturers would make it easier on potential customers and themselves and simply print the rod’s grain window on the rod).

After casting the Red Truck with a number of lines, I determined its usable grain window to be 150-280 grains (I emailed the Red Truck rep and he confirmed this). In single-hand mode it will throw an AFTMA 5wt line okay, & could function as a far-&-fine outfit in some situations, yet with that light of a line one gets the feeling there’s a lot of ass in reserve, & there is. Loaded with an AFTMA 6wt line the Red Truck begins to come into its own – useful for fishing big dries, nymphs and bobber set-ups on big water. For me, casting single-handed, the Red Truck performs best loaded with a 7wt or 7-1/2wt line – good for swinging streamers on big water. In Spey mode, I found the Red Truck switch performs like a rocket launcher lined with a 23’ short-head weighing 260 grains – that’s roughly the equivalent of a 9wt AFTMA rated line. As a compromise, the rod performs competently in both single-hand and double-hand modes loaded with an AFTMA 8wt DT line. Narrowed to ideal, I’d put the grain window at 160-260 grains – the equivalent to a #3 spey rating – in my own experience, the best all-around for trout.  

Red Truck aluminum rod tube & opener cap.
The Red Truck switch is elegant, well-appointed with top quality guides and components. The blank is an understated, translucent gray. Guide wraps are claret with blue-ish silver tips to match the gunmetal blue reel seat. The interchangeable rear grips are built on light, aircraft-grade aluminum thread stock, & mount neatly & securely, threaded into the reel seat barrel.

Red Truck is thoughtful as well as utilitarian – the 4-piece rod comes in a heavy cloth bag with pockets for storing the two rear grips & an aluminum storage tube with a bottle opener built into the underside of the cap. Could be handy.      

Frankly, you can spend a lot more money on a light switch rod, but I would rate the 5110-4 among the best I’ve fished, in any price range. And check out the Red Truck Diesel reels. Classic, utilitarian goodness. The 7/8 Diesel reel perfectly matches and balances the 5110-4 switch. 

The Red Truck Fly Fishing Company offers a refreshing perspective. If you like quality gear that doesn't look like spaceman stuff, at a reasonable price, learn more about Red Truck rods and reels here: http://redtruckflyfishing.com/                     

Wednesday, February 22, 2017

Making the Best of a Hare’s Mask

Processed olive hare's mask dubbing.
   I used to waste a lot of hare’s heads. The masks, natural or dyed, feature a lot of shades & textures. I’d use up the reddish poll on a natural mask, pull some lug from the ears for the spiky guard hairs, clip the easy-dubbing cream from the cheeks, & the rest would pretty much go to waste. There was no uniformity of coloration in the flies tied from them, as it’s nearly impossible to get the same blend of furs twice when you’re picking it from a mask. And no two natural masks are exactly the same. But then I learned a simple process that allows maximum use of the mask, creating a perfect mix of uniformly colored spiky dubbing. Here’s how:

Materials you’ll need: a hare’s mask; a quart jar (canning jar is perfect) with cap; a kitchen strainer; a paper coffee filter.

Using your spare fly tying scissors, clip the whiskers from the hare’s mask & save them for mayfly tails.

Clip the hair from the entire mask – bend the ears & train the short hairs away with the side of the scissors while trimming down the ears. Some shave the ears with a single edge razor blade, but I scraped into the hide too much while attempting it. The scissors will get it close enough to the skin with negligible waste. Once as much fur as possible is removed from the mask, worked into a pile on the table, mix all the fur together until fairly blended.

Fill the mason jar about 2/3 of the way full with warm water; mix in a few drops of hair conditioner; add dubbing; screw the lid on; shake for about 5 minutes.


 Over the sink, pour the contents of the jar into a screened strainer & rinse with warm water. Press the mixture in the strainer to remove excess water, then place into a paper coffee filter & place somewhere to dry. As the mixture dries, break it up from time to time. When fully dry it may appear clumpy, but the puffs of dubbing are easily broken.

This process results in a surprising quantity of perfect, spiky dubbing, of uniform color blend, the guard hairs evenly distributed throughout. 

No two natural hare’s masks are alike. A few masks in natural colors will yield several shades that can be blended with others at the vise to achieve desired colors. I also buy masks in the available dyed colors & process them thus.